There’s More than One Way to Skin a Gato – Part 2
From Omaha to Atlanta to Lexington to Milwaukee — and points in between — Spanish-language radio stations have been proliferating across the U.S.
(I probably don’t need to tell you that radio stations don’t pop up until after there’s an audience for them.)
Not only is Spanish-language radio enjoying rapid growth — it’s also enjoying dominating ratings.
Take Atlanta in 2004, for example.
In response to the rising Hispanic population in the area, Clearwater Channel’s radio station WWVA converted from general market English-language programming, which was eking out a barebones 1.6 share among the 18- to 34-year-old listener group, to a Spanish-language format.
The result?
Its share of that coveted demographic shot up to 11.3 – a 700% increase.
Overnight.*
Not bad.
But perhaps not surprising.
The fact is that 87% of adult Latinos access Spanish-language radio, television, or newspapers on a regular basis.
They spend 18 hours a week watching television — approximately 50% of it in Spanish. And 15 hours a week listening to radio — of which 50% is also in Spanish.
That’s double the time non-Hispanics spend. Oh, and 29% of them also prefer their newspapers in Spanish.**
So if you’re planning to target the Hispanic market, the Spanish-language media is something you shouldn’t overlook
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Next time we’ll talk about Spanish-language television.
And some data points that may surprise you.
Stay tuned.
*Source: Arbitron. **Source: Bendixen & Associates.
Media choice and emotions
One question we hear from clients is, which media are most effective to achieve the maximum impact on the emotions, and on the brand. On judgment, it seems likely that a medium like television, where you can impact both auditory and visual senses, is likely to be more impactful than a one-dimensional medium, like print, or radio. Finding science to support that isn’t so easy, though. For that you need evidence that, for example, the emotions evoked by a piece of music are similar to, and can influence, other emotional experiences. So far the proof for that has been elusive.
But a new study, which has just been published in Neuroscience Letters, reported here, provides both behavioural and physiological evidence that the emotions evoked by music can be transferred to the sense of vision, and can influence how the emotions in facial expressions are perceived.
Two experiments were performed.
“In the first, 30 participants were presented with a series of happy or sad musical excerpts, each lasting 15 seconds. After each piece of music, the participants were shown a photograph of a face, expressing either a happy, sad, or neutral expression. The photographs were flashed on a screen for 1 second, after which the participants were asked to rate the emotion on a 7-piont scale, where 1 denotes extremely sad and 7 extremely happy.
Thus, the visual emotional stimuli – the photos of faces – were “primed” by an emotional state conveyed by a piece of music. All the participants correctly identified the emotions expressed by the faces in the photographs presented to them. However, happy faces primed by a happy piece of music were rated as happier than when primed by sad music. Conversely, sad faces primed by a piece of sad music were rated as sadder than those primed with a happy piece of music. Finally, neutral faces were rated higher when primed by a happy piece of music and lower when primed by a sad piece.
The size of the priming effect for neutral faces was found to be almost twice that of the effect for happy and sad faces. [Emphasis mine]This may be because neutral faces contain less information than those expressing one emotion or the other, and hence are somewhat ambiguous. We know that the brain integrates information from different senses to construct representations of the external and internal worlds; thus, in the absence of relevant visual information, it may therefore become more reliant on information from other senses when generating these representations.”
If we think of the brand as a (relatively) emotion-neutral element, at least compared to the faces in this experiment, it seems obvious that the ability to prime the emotions with music makes an audiovisual medium more flexible, and potentially powerful, than a visual medium alone.
It was already known that music can influence the perception of emotions in visual stimuli when presented simultaneously, but this new study is the first to show the emotions evoked by music can affect the perception of emotional content in visual stimuli presented afterwards.
According to this study, these new findings also suggest that emotional processing takes place outside of conscious awareness, rather than being based on judgments and decisions.
